Words Fall Out

If we’re lucky, it visits us a few times before taking us away; Death.
I remember the death of our dog.  That first aching glimpse into the yawning chasm of ‘gone forever’.  And the death of a grandparent; quiet censored whisperings of adults and the hurried ushering of the children away from the coffin.  Gone forever. First one person, then a sprinkling of elderly others.  Watching the grief in my mothers eyes spill over into tears.  She didn’t usually cry.  It sent a chill of foreboding through me, seeing her mourn her own mother.  I was fourteen then, and beginning to comprehend.  Death loomed close to my imagination. An irrefutable, unescapable, cruel end and a bitter suffering.

Then, facing the shock news of a car crash, a cousin, close to my own age. Another friend too, another car. Somehow so much more tragic than losing the elderly; more personal, more real.  The horror of knowing they are gone.  Forever.  And it could just as well have been you.  You contemplate all the things that you get to still do that they don’t.  You think about the future they’ll never have.  You marvel at how the birds still sing, but they cannot.  You can’t absorb the fact that everything they were, the entirety of their being, is gone. It’s too frightening. Too close to your bones. A whisper too near to your ear.

You let the tomorrows slowly ease your mortal fears.  Time anaesthetising you from the truth.  We die.  One day that will be my funeral.  One day it will be yours.  We try to forget that immutable fact. We are expert at it.  We close our eyes and batten down the hatches.

We pretend that we will live forever.

But we won’t.

Any of us, at any moment are a hairs-breadth away from it…  why don’t we live like that is so? Why do we pretend?  Diminishing our existence by living as if there will always be a tomorrow?  Another chance? Limiting what we see and ring-fencing our hopes, saving them for another day?

Why do we do that?

Death is on my mind today because this is the anniversary of the day my Mum took her last breath.  I remember staying with her through the night of New Year’s Eve.   She was so tired.  In so much pain. Throughout the night I had counted her breaths, and the terrible pauses between, the gasp and rasp as she fought for air again.  I was terrified about how death would come. When she opened her eyes the next morning, her barely audible whisper: “am I still alive?”.
“You are Mum.  You’re here.  It’s a New Year” her tiny amount of energy collapsed her tiny frame, deeper into the bed, lost in defeat.  “Still here” she mouthed, this time, no sound escaping her mouth as she closed her eyes against the day, the year, the endless struggle of her ending.

I didn’t see her open them again. I left my shift of the bedside vigil and went to sit at the beach.  My brother called me when it happened.  She had gone when they had stepped out of her room. I wondered if she had waited for them to go, to save them the torment of hearing the last breath, of counting the pause that would never be broken with another rasp.

I sat there on the dunes and watched the skies as her spirit flew past.  North to the Bay of Islands, and on to Cape Reinga. She was free.  I knew I should be able to breathe easier knowing that.  But what settled on my chest was a heavy weight of knowing.  She was gone forever.   Forever is a long time to be motherless.  And I cried like the baby I am.  Her baby.  Cried because I didn’t know how I could do it.  This life.  How could I do it without a mother?   I felt lost and cut loose of the only tie that truly binds.  Her freedom became my burden.  My debt to her, paid in grief and measured out across my own forever.

Thank you Mum, for loving me.  I miss you.

I was in the car this morning, coming back from a morning out with the horses.  It had all been far too much for me. I was half-sleeping, listening to the music.  Kellie’s song came on the radio.  My eyes were shut and my head lolling against the head rest.  Her song pops up at interesting times.  I always listen.  Think about her, miss her.  Wish she was still here, wisecracking on my blog, or messaging me about something.  Another gone forever girl.  Breaking our hearts with her absence.  Filling our days with remembrances and regrets for all the things we never said.

I wonder what would happen if you say what you want to say,
let the words fall out

I want to see you be brave.
(Sarah Bareilles, Brave)

Death is not a palatable subject.  People don’t like to read about it.  We don’t want to be reminded.
We go to such great lengths to ignore the truth and fight the realisations.  We all want to live forever; I get it, me too.  But what I want to say today is hard to read.
Wake up! We all die, people.
My words are falling out.


Don’t push it away, not this day.
Do it for the memory of my Mumma, for the memory of Kellie, or for the memory of someone you loved and lost. Do it for yourself, as an act of wilful rebellion against the denial we usually prefer. Live like there’s no tomorrow, in whatever way that would be for you.
What would you tell your children?
How long would you hold your lover’s gaze?
What would you say that needs to be said?
Who would you forgive? Who would you ask it from?
What would you do today?
What would you choose to look at, to feel, to notice?
If this was it.  What would it be?

This song probably says what I want to say in a much better way.  Have a listen to this.  And make today matter.


When I was a little girl, we lived in Christchurch for a short time.  And right in the centre of the city, there was a cinema.  I remember the steps, and names of movies up on the light boards.  I remember the flip up seats.  And I remember the movie: Annie.  It was my first movie, ever. And it is glued to my memory with steadfast affection. The songs, the message, the sadness and hopeful happiness of that little girl lost; found by her new Daddy.  It was the ultimate rags to riches fairytale and I sang all those songs with blustery seven year old conviction.

When I’m stuck with a day,
that’s grey
and lonely
I just stick up my chin
and grin
and say….

Annie was so optimistic about the world.  So plucky and cheeky and doggone cute.
Of course that shaggy-dog-wonder wanted to follow her anywhere, of course Daddy Warbucks wanted to change her fate. She was the archetype of America’s sweetheart.  The freckle-faced never-say-die psyche of the American people.  A depression poster child.  A disaffected victim come good. The good news story.  And yet all that I understood of her at seven was that she missed her Mummy and Daddy, but they had abandoned her.  So she stuck up her chin, and grinned, and made her way.  Straight into the arms of a billionaire.  I thought she was clever, that little orphan Annie.  And I wanted to sing like her.  So I tried to… (shhh! I still belt out a few Annie tunes when I am on my own, nothing cheers me up quite like it!) but I am no broadway broad.

Annie the movie
Today we took the kids to see Annie, the musical.
It was at the Civic Theatre in downtown Auckland, one of my favourite places.  I love the kitsch Afrikana of that place.  The painted sky of pinprick stars, the gilt ornate features, the elephants, lions and tigers.  I even love the brass bannisters.


Stepping into that theatre is like going back in time.  I first visited the Civic as a young girl, not long after I’d first ‘met’ Annie.  I was there with my ballet dancing cousins, backstage, marvelling at the catacombs of dressing rooms, the old lightbulbs around the mirrors.  The smell of rosin and hairspray.  They were rehearsing and I was transfixed.
It’s no less magical today.

Here are some snapshots I took of the old theatre.  She is beautiful.



If you are in Auckland, there is still a chance that you can get tickets to Annie.  I would urge you to, especially if you have kids. The cast, sets and overall performance are
impressive.  I laughed out loud at Miss Hannigan as played by Su Pollard, and I thought Ilena Shadbolt made a perfect Annie.

Ilena Shadbolt

Her long notes were pitch perfect and sublime. The audience lacked a bit of enthusiasm, but that is what audiences are like here in New Zealand.  Apparently, deep down inside everyone was whooping it up, even my hubster.  So he tells me. It’s just not the done thing to go bananas down in this part of the world (I felt similarly dismayed but the sedate audience reaction to Neil Diamond a few years ago.  But that’s another story for another time).  Going to musicals with my family is making the kind of memory that we will cherish forever.   I love it. As much as I love looking at the show, I love to sneak a look at their beautiful faces as they stare, completely absorbed, at the theatrical spectacle.  I love seeing Zed giggle at the funny bits and sing along, just like I did all those years ago.
I just love being part of their crew, one of their kin, I love belonging to them.

Maybe it’s all too kitsch for you.
And sometimes, it is a hard knock life.
But the sun’ll come up tomorrow.  

You can betcha bottom dollar that tomorrow, 

there’ll be sun.


Photo credit:  Ilena Shadbolt as Annie, taken by Hagen Holt photography.